Tuesday, November 22, 2011

Harry Potter and the Order of the Phoenix (Widescreen Edition)

  • Condition: New
  • Format: DVD
  • Widescreen; NTSC
Lord Voldemort has returned, but few want to believe it. In fact, the Ministry of Magic is doing everything it can to keep the wizarding world from knowing the truth - including appointing Ministry official Dolores Umbridge as the new Defense Against the Dark Arts teacher at Hogwarts. When Professor Umbridge refuses to train her students in practical defensive magic, a select group of students decides to learn on their own. With Harry Potter as their leader, these students (who call themselves "Dumbledore's Army") meet secretly in a hidden room at Hogwarts to hone their wizarding skills in preparation for battle with the Dark Lord and his Death Eaters. . New adventure - more dangerous , more thrilling than ever - is yours in this enthralling film version of the fifth novel in J.K. Rowling's Harry Potter series. A terrifying showdown ! between good and evil awaits. Prepare for battle!Alas! The fifth Harry Potter film has arrived. The time is long past that this can be considered a simple "children's" series--though children and adults alike will enjoy it immensely. Starting off from the dark and tragic ending of the fourth film, Harry Potter and the Order of the Phoenix begins in a somber and angst-filled tone that carries through the entire 138 minutes (the shortest of any HP movie despite being adapted from the longest book). Hopes of winning the Quidditch Cup have been replaced by woes like government corruption, distorted media spin, and the casualties of war. As the themes have matured, so have the primary characters' acting abilities. Ron (Rupert Grint), Hermione (Emma Watson), and especially Harry (Daniel Radcliffe) are more convincing than ever--in roles that are more demanding.

Harry is deeply traumatized from having witnessed Cedric Diggory's murder, but he will soon find! that this was just another chapter in the continuing loss he ! will end ure. Lord Voldemort (Ralph Fiennes) has returned and, in an attempt to conceal this catastrophe from the wizarding public, the Ministry of Magic has teamed up with the wizard newspaper The Daily Prophet to smear young Potter and wise Dumbledore (Michael Gambon)--seemingly the only two people in the public eye who believe the Dark Lord has returned. With no one else to stand against the wicked Death Eaters, the Hogwarts headmaster is forced to revive his secret anti-Voldemort society, the Order of the Phoenix. This welcomes back characters like Mad-Eye Moody (Brendan Gleeson), kind Remus Lupin (David Thewlis), fatherly Sirius Black (Gary Oldman), and insidious Severus Snape (Alan Rickman), and introduces a short list of intriguing new faces. In the meantime, a semi-psychotic bureaucrat from the Ministry (brilliantly portrayed by Imelda Staunton) has seized power at Hogwarts, and Harry is forced to form a secret society of his own--lest the other young wizards at his sc! hool be left ill-equipped to defend themselves in the looming war between good and evil. In addition, Harry is filled with an inexplicable rage that only his Godfather Sirius seems to be able to understand.

This film, though not as frightening as its predecessor, earns its PG-13 rating mostly because of the ever-darkening tone. As always, the loyal fans of J.K. Rowling's books will suffer huge cuts from the original plot and character developments, but make no mistake: this is a good movie. --Jordan Thompson

Dick

  • Widescreen 1.85:1, Dolby 5.1, English Language with English Subtitles
  • Director and Screenwriter Commentary
  • "Making-of" Featurette
  • Deleted Scenes * Blooper Reel * Theatrical Trailers
  • Isolated Music Soundtrack with Highlights
Two high school girls wander off during a class trip to the White House and meet President Richard Nixon.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 13-FEB-2007
Media Type: DVDSo who exactly was Deep Throat, that all-important source who helped Bob Woodward and Carl Bernstein bust open the Watergate scandal? Well, according to this thoroughly funny, keenly smart comedy from director Andrew Fleming (The Craft), it was two sweetly daft teenage girls named Betsy and Arlene. Taking the history and figures from Watergate and running gleefully and sacrilegiously amok, Dick offers up ! a hilarious what-if scenario that takes the Nixon administration's downfall from grave tragedy to hilarious farce. When Betsy (Kirsten Dunst) and Arlene (Michelle Williams) run into a shady figure in the stairwell of Arlene's Watergate apartment building, little do they know they've stumbled upon G. Gordon Liddy (Harry Shearer) on the night of the Democratic National Headquarters break-in. Later, on a White House field trip, they wind up meeting with Nixon himself (Dan Hedaya), who, to ensure their silence, decides to make them official White House dog walkers and "secret youth advisors." Of course, Betsy and Arlene soon find out their idol has feet of clay, and ultimately decide to aid "radical muckraking journalists" (and queasy rivals) Woodward (Will Ferrell) and Bernstein (Bruce McCullough) in their investigation. Fleming and cowriter Sheryl Longin's enfolding of the Watergate scandal is extremely clever and inspired, from Arlene's 18-and-a-half-minute declaration of l! ove on Nixon's tape recorder to the Hello Dolly cookies (laced! with a certain herbal stimulant) that help bring about the U.S.-Soviet accord. And after all the angsty-serious portraits of Watergate, it's bliss to see the prime players sent up mercilessly; in addition to Shearer, the cast boasts Dave Foley (Erlichman), Jim Breuer (John Dean), Saul Rubinek (Kissinger), and Ana Gasteyer (Rosemary Woods), all in fine form. Hedaya's Nixon, dead-on but never parodic, is an Oscar-worthy comic turn, and Dunst and Williams invest their characters with affection and humor; the success of the film lies in the way these talented actresses make us laugh with Betsy and Arlene, never at them. Don't be put off by the teen sheen on this comedy--it's also for all of us who still remember Watergate even after 25 years, and still love dancing on the scandal's grave. --Mark Englehart

Adventures of Joe Dirt, The (2001) - 11 x 17 - Style B

  • Wonderful poster to add to any collection
  • Arrives rolled in a protective mailer tube
  • Brand new poster ready to frame
Classic rock means different things to different people. But when it comes to the 1970s, kitsch classics reign supreme. Joe Dirt is a comedy that combines the '70s stoner vibe with the air-guitar dreamers of the '80s. There are stacks of both overplayed and overlooked hard rock that could accompany this trip down memory lane. At only 12 tracks, this brief introduction is for those who have never experienced classic rock radio. Ted Nugent's "Cat Scratch Fever," Lynyrd Skynyrd's "Sweet Home Alabama," and the Doobie Brothers' "China Grove" are obvious staples, while Argent's 1972 hit "Hold Your Head Up" and April Wine's 1978 track "Roller" border on the obscure. George Thorogood blows out his amp with a pulverizing version of Bo Diddley's "Who Do You Love." ! But the inclusion of Cheap Trick and Eddie Money tips the balance toward pop rock that most self-respecting mullet-heads would never order up on the local jukebox. --Rob O'Connor Another of those cut-and-paste comedies from Adam Sandler's production company starring one of Sandler's erstwhile Saturday Night Live colleagues, The Adventures of Joe Dirt finds the magnificently caustic David Spade emasculated by a sentimental script and shapeless, haphazard cutting. Spade plays the title character, a white-trash orphan in search of the parents who abandoned him at the Grand Canyon. The humor is supposed to come from Joe's misadventures, his redneck gullibility, and his encounters with such figures as a serial killer, a wacked-out janitor (Christopher Walken), and a lovable gal (Jamie Pressly) who may, unfortunately, turn out to be his sister. But the squishier requirements of the story, requiring the audience to feel deeply for the pain of Spade's caricat! ure, are an irritant and force Spade to veer from the nastier ! stuff he does so well. With Kid Rock, Dennis Miller. --Tom Keogh No Description Available.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 25-JUL-2006
Media Type: DVDAnother of those cut-and-paste comedies from Adam Sandler's production company starring one of Sandler's erstwhile Saturday Night Live colleagues, The Adventures of Joe Dirt finds the magnificently caustic David Spade emasculated by a sentimental script and shapeless, haphazard cutting. Spade plays the title character, a white-trash orphan in search of the parents who abandoned him at the Grand Canyon. The humor is supposed to come from Joe's misadventures, his redneck gullibility, and his encounters with such figures as a serial killer, a wacked-out janitor (Christopher Walken), and a lovable gal (Jamie Pressly) who may, unfortunately, turn out to be his sister. But the squishier requirements of the story, requiring the audience to feel deeply for the p! ain of Spade's caricature, are an irritant and force Spade to veer from the nastier stuff he does so well. With Kid Rock, Dennis Miller. --Tom Keogh Another of those cut-and-paste comedies from Adam Sandler's production company starring one of Sandler's erstwhile "Saturday Night Live" colleagues, "The Adventures of Joe Dirt" finds the magnificently caustic David Spade emasculated by a sentimental script and shapeless, haphazard cutting. Spade plays the title character, a white-trash orphan in search of the parents who abandoned him at the Grand Canyon. The humor is supposed to come from Joe's misadventures, his redneck gullibility, and his encounters with such figures as a serial killer, a wacked-out janitor (Christopher Walken), and a lovable gal (Jamie Pressly) who may, unfortunately, turn out to be his sister. But the squishier requirements of the story, requiring the audience to feel deeply for the pain of Spade's caricature, are an irritant and force Spade to ve! er from the nastier stuff he does so well. With Kid Rock, Denn! is Mille r. "--Tom Keogh"Another of those cut-and-paste comedies from Adam Sandler's production company starring one of Sandler's erstwhile Saturday Night Live colleagues, The Adventures of Joe Dirt finds the magnificently caustic David Spade emasculated by a sentimental script and shapeless, haphazard cutting. Spade plays the title character, a white-trash orphan in search of the parents who abandoned him at the Grand Canyon. The humor is supposed to come from Joe's misadventures, his redneck gullibility, and his encounters with such figures as a serial killer, a wacked-out janitor (Christopher Walken), and a lovable gal (Jamie Pressly) who may, unfortunately, turn out to be his sister. But the squishier requirements of the story, requiring the audience to feel deeply for the pain of Spade's caricature, are an irritant and force Spade to veer from the nastier stuff he does so well. With Kid Rock, Dennis Miller. --Tom Keogh 11" x 17" high quality reproduction pos! ter by Pop Culture Graphics. Printed in the USA. Perfect for framing.

The Fast and the Furious: Tokyo Drift (Widescreen Edition)

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC
FAST AND THE FURIOUS:TOKYO DRIFT - DVD MovieThe Fast and the Furious: Tokyo Drift has all the elements that spelled success for its predecessors: Speed, sex, and minimal dialogue. The plot doesn't need explication; it's a nonsensical series of confrontations and standoffs that serve to get us from one race to another. Tokyo Drift can most accurately be described as a visual poem about screeching tires, crunching fiberglass, and sleek female skin, set to a killer soundtrack of Japanese pop and hip-hop. The actors are only needed for tight close-ups of narrowed eyes or sweaty hands tightly gripping gearshifts, though Sung Kang, Better Luck Tomorrow, stands out as a vaguely philosophical hoodlum with deadpan charisma. The curved bodies of the cars and the luscious flesh of! the women are both shot with a fetishistic hunger. The "drift" style of racing--in which the cars are allowed to slide in order to take sharp turns at high speeds--grabs your eyes; there's a strange, spectral beauty to rows of cars sliding sideways down a mountain road at night. Also starring Lucas Black (Friday Night Lights) as our wheel-happy hero; Bow Wow (Roll Bounce) as the scam-artist comic relief; and martial arts legend Sonny Chiba (Kill Bill) as a yakuza big shot. --Bret Fetzer

Attwood Braided Polypropylene General Purpose Rope

  • Floating line
  • Great for miscellaneous uses around the water
  • Assorted Neon Colors
JACKIE ISN'T FIGHTING FOR GLORY. SHE'S FIGHTING FOR RESPECT.INSPIRED BY A TRUE STORY, JACKIE IS A SASSY, BRASSY BOXINGMANAGER-IN-THE-MAKING DETERMINED TO CHANGE 'LETHAL' LUTHER SHAW FROM A MERE STREET PUNK INTO A WORLD CLASS PRIZEFIGHTER.The Rocky formula nearly wears out its welcome in Against the Ropes, a highly fictionalized feel-good drama based on the life of pioneering female boxing promoter Jackie Kallen. In an egregious effort to distill the essence of Kallen's achievement, director Charles S. Dutton (who fared better with HBO's The Corner) has strictly played it safe, delivering a foregone conclusion almost from the very first scene. Burdened with a by-the-numbers screenplay by Cheryl Edwards (Save the Last Dance), the film gets a much-needed boost from Meg Rya! n, playing Kallen as a brassy, smoky-voiced dynamo, rising to the challenge when a rival promoter (played with fierce bravado by Tony Shalhoub) dares her to play hardball in a male-dominated sport. Jackie's trump cards are Luther (Omar Epps), a promising contender with untried talent, and a once-legendary trainer (played by director Dutton) coaxed out of retirement to guide Luther to the middleweight championship. No surprises here, just a handful of energetic performances, an abundance of raw ambition, obligatory setbacks, and the nagging feeling that you've seen it all before. --Jeff ShannonThe "Rocky" formula nearly wears out its welcome in "Against the Ropes", a highly fictionalized feel-good drama based on the life of pioneering female boxing promoter Jackie Kallen. In an egregious effort to distill the essence of Kallen's achievement, director Charles S. Dutton (who fared better with HBO's "The Corner") has strictly played it safe, delivering a foregone conclus! ion almost from the very first scene. Burdened with a by-the-n! umbers s creenplay by Cheryl Edwards ("Save the Last Dance"), the film gets a much-needed boost from Meg Ryan, playing Kallen as a brassy, smoky-voiced dynamo, rising to the challenge when a rival promoter (played with fierce bravado by Tony Shalhoub) dares her to play hardball in a male-dominated sport. Jackie's trump cards are Luther (Omar Epps), a promising contender with untried talent, and a once-legendary trainer (played by director Dutton) coaxed out of retirement to guide Luther to the middleweight championship. No surprises here, just a handful of energetic performances, an abundance of raw ambition, obligatory setbacks, and the nagging feeling that you've seen it all before. "--Jeff Shannon"The Rocky formula nearly wears out its welcome in Against the Ropes, a highly fictionalized feel-good drama based on the life of pioneering female boxing promoter Jackie Kallen. In an egregious effort to distill the essence of Kallen's achievement, director Charles S. Dutto! n (who fared better with HBO's The Corner) has strictly played it safe, delivering a foregone conclusion almost from the very first scene. Burdened with a by-the-numbers screenplay by Cheryl Edwards (Save the Last Dance), the film gets a much-needed boost from Meg Ryan, playing Kallen as a brassy, smoky-voiced dynamo, rising to the challenge when a rival promoter (played with fierce bravado by Tony Shalhoub) dares her to play hardball in a male-dominated sport. Jackie's trump cards are Luther (Omar Epps), a promising contender with untried talent, and a once-legendary trainer (played by director Dutton) coaxed out of retirement to guide Luther to the middleweight championship. No surprises here, just a handful of energetic performances, an abundance of raw ambition, obligatory setbacks, and the nagging feeling that you've seen it all before. --Jeff ShannonAGAINST THE ROPES/NECESSARY ROUGHNESS - DVD Movie

Wrestling the Hulk

How many people! can say they stood up against wrestler Hulk Hogan and came ou! t victor ious? Linda Hogan did just that. After twenty-four years of dealing with his cheating, mistreatment, and lies, Linda needed to step out of her marriage ring and start a new life.

In Wrestling the Hulk, the woman who was loved by television audiences for being the supportive wife and mother on VH1’s hit show Hogan Knows Best is now revealing for the first time what life with the wrestling icon was really like behind the scenes. Linda takes readers through some of her most personal moments: from her first intimate experiences with Terry Bollea (aka Hulk Hogan) to their ringside courtship, from helping him launch a successful career and start a family to the crumbling of their marriage because of infidelity.

After two decades of being “Mrs. Hulk Hogan,” Linda finally summoned the courage to move on and love her life. She has found happiness in a new relationship with a younger man, proving that it’s never too late to start over.

Wrestl! ing the Hulk

How many people can say they stood up against wrestler Hulk Hogan and came out victorious? Linda Hogan did just that. After twenty-four years of dealing with his cheating, mistreatment, and lies, Linda needed to step out of her marriage ring and start a new life.

In Wrestling the Hulk, the woman who was loved by television audiences for being the supportive wife and mother on VH1’s hit show Hogan Knows Best is now revealing for the first time what life with the wrestling icon was really like behind the scenes. Linda takes readers through some of her most personal moments: from her first intimate experiences with Terry Bollea (aka Hulk Hogan) to their ringside courtship, from helping him launch a successful career and start a family to the crumbling of their marriage because of infidelity.

After two decades of being “Mrs. Hulk Hogan,” Linda finally summoned the courage to move on and love her life. She has found happines! s in a new relationship with a younger man, proving that it’! s never too late to start over.

Wrestling the Hulk

How many people can say they stood up against wrestler Hulk Hogan and came out victorious? Linda Hogan did just that. After twenty-four years of dealing with his cheating, mistreatment, and lies, Linda needed to step out of her marriage ring and start a new life.

In Wrestling the Hulk, the woman who was loved by television audiences for being the supportive wife and mother on VH1’s hit show Hogan Knows Best is now revealing for the first time what life with the wrestling icon was really like behind the scenes. Linda takes readers through some of her most personal moments: from her first intimate experiences with Terry Bollea (aka Hulk Hogan) to their ringside courtship, from helping him launch a successful career and start a family to the crumbling of their marriage because of infidelity.

After two decades of being “Mrs. Hulk Hogan,” Linda finally summoned the courage to move on and! love her life. She has found happiness in a new relationship with a younger man, proving that it’s never too late to start over.

The Rocky formula nearly wears out its welcome in Against the Ropes, a highly fictionalized feel-good drama based on the life of pioneering female boxing promoter Jackie Kallen. In an egregious effort to distill the essence of Kallen's achievement, director Charles S. Dutton (who fared better with HBO's The Corner) has strictly played it safe, delivering a foregone conclusion almost from the very first scene. Burdened with a by-the-numbers screenplay by Cheryl Edwards (Save the Last Dance), the film gets a much-needed boost from Meg Ryan, playing Kallen as a brassy, smoky-voiced dynamo, rising to the challenge when a rival promoter (played with fierce bravado by Tony Shalhoub) dares her to play hardball in a male-dominated sport. Jackie's trump cards are Luther (Omar Epps), a promising contender with untried talen! t, and a once-legendary trainer (played by director Dutton) co! axed out of retirement to guide Luther to the middleweight championship. No surprises here, just a handful of energetic performances, an abundance of raw ambition, obligatory setbacks, and the nagging feeling that you've seen it all before. --Jeff Shannon1/8 x 45-Feet, Diamond Braided Cordage, Multiple Colors

Being John Malkovich

  • Special Edition
  • 3 Academy Award Nominations
CRAIG, A STRUGGLING PUPPETEER ACCIDENTALLY DISCOVERS A PORTAL LEADING INTO THE BRAIN OF JOHN MALKOVICH. FOR 15 MINUTES, HEEXPERIENCES THE ULTIMATE HEAD TRIP-HE IS JOHN MALKOVICH! THEN HE IS DUMPED ONTO THE NEW JERSEY TURNPIKE!While too many movies suffer the fate of creative bankruptcy,Being John Malkovich is a refreshing study in contrast, so bracingly original that you'll want to send director Spike Jonze and screenwriter Charlie Kaufman a thank-you note for restoring your faith in the enchantment of film. Even if it ultimately serves little purpose beyond the thrill of comedic invention, this demented romance is gloriously entertaining, spilling over with ideas that tickle the brain and even touch the heart. That's to be expected in a movie that dares to ponder the existential dilemma of a forlorn puppeteer (John Cusack) who discov! ers a metaphysical portal into the brain of actor John Malkovich.

The puppeteer's working as a file clerk on the seventh-and-a-half floor of a Manhattan office building; this idea alone might serve as the comedic basis for an entire film, but Jonze and Kaufman are just getting started. Add a devious coworker (Catherine Keener), Cusack's dowdy wife (a barely recognizable Cameron Diaz), and a business scheme to capitalize on the thrill of being John Malkovich, and you've got a movie that just gets crazier as it plays by its own outrageous rules. Malkovich himself is the film's pièce de résistance, riffing on his own persona with obvious delight and--when he enters his own brain via the portal--appearing with multiple versions of himself in a tour-de-force use of digital trickery. Does it add up to much? Not really. But for 112 liberating minutes, Being John Malkovich is a wild place to visit. --Jeff ShannonWhile too many movies suffer the fate of creative b! ankruptcy, "Being John Malkovich" is a refreshing study in con! trast, s o bracingly original that you'll want to send director Spike Jonze and screenwriter Charlie Kaufman a thank-you note for restoring your faith in the enchantment of film. Even if it ultimately serves little purpose beyond the thrill of comedic invention, this demented romance is gloriously entertaining, spilling over with ideas that tickle the brain and even touch the heart. That's to be expected in a movie that dares to ponder the existential dilemma of a forlorn puppeteer (John Cusack) who discovers a metaphysical portal into the brain of actor John Malkovich.\n The puppeteer's working as a file clerk on the seventh-and-a-half floor of a Manhattan office building; this idea alone might serve as the comedic basis for an entire film, but Jonze and Kaufman are just getting started. Add a devious coworker (Catherine Keener), Cusack's dowdy wife (a barely recognizable Cameron Diaz), and a business scheme to capitalize on the thrill of being John Malkovich, and you'v! e got a movie that just gets crazier as it plays by its own outrageous rules. Malkovich himself is the film's pi?®ce de r?©sistance, riffing on his own persona with obvious delight and--when he enters his own brain via the portal--appearing with multiple versions of himself in a tour-de-force use of digital trickery. Does it add up to much? Not really. But for 112 liberating minutes, "Being John Malkovich" is a wild place to visit. "--Jeff Shannon"While too many movies suffer the fate of creative bankruptcy,Being John Malkovich is a refreshing study in contrast, so bracingly original that you'll want to send director Spike Jonze and screenwriter Charlie Kaufman a thank-you note for restoring your faith in the enchantment of film. Even if it ultimately serves little purpose beyond the thrill of comedic invention, this demented romance is gloriously entertaining, spilling over with ideas that tickle the brain and even touch the heart. That's to be expected in ! a movie that dares to ponder the existential dilemma of a forl! orn pupp eteer (John Cusack) who discovers a metaphysical portal into the brain of actor John Malkovich.

The puppeteer's working as a file clerk on the seventh-and-a-half floor of a Manhattan office building; this idea alone might serve as the comedic basis for an entire film, but Jonze and Kaufman are just getting started. Add a devious coworker (Catherine Keener), Cusack's dowdy wife (a barely recognizable Cameron Diaz), and a business scheme to capitalize on the thrill of being John Malkovich, and you've got a movie that just gets crazier as it plays by its own outrageous rules. Malkovich himself is the film's pièce de résistance, riffing on his own persona with obvious delight and--when he enters his own brain via the portal--appearing with multiple versions of himself in a tour-de-force use of digital trickery. Does it add up to much? Not really. But for 112 liberating minutes, Being John Malkovich is a wild place to visit. --Jeff Shannon

Drive Me Crazy (Simon Romantic Comedies)

  • ISBN13: 9781416974840
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Opposites attract with irresistible force in this fresh, funny, feel-good comedy about two mismatched teens who scheme to make their ex's jealous. Melissa Joan Hart (TV's "Sabrina the Teenage Witch") is "picture perfect" (CBS-TV, Fort Worth) as a peppy preppy who performs the ultimate makeover on her scruffy next-door neighbor (Adrian Grenier) - and discovers this former "frog" was a prince all along! With a screenplay by Rob Thomas (Dawson's Creek), a cast featuring today's hottest young stars, plus the smash hit songs "Crazy" (Britney Spears), and "I Want It That Way" (Backstreet Boys), "Drive Me Crazy" is "worth celebrating!" (Detroit Free Press)This conflicted teen comedy can't decide what it wants! to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any valu! e. But as the plot unfolds, a few barbed twists undercut the g! ood chee r, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerDisc 1: BUFFY THE VAMPIRE SLAYER (MOVIE) Disc 2: DRIVE ME CRAZYThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost gir! lfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about! a popular girl who turns her grungy next-door neighbor into a! dream d ate? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. The! se themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. ! Teen flicks always make things too glossy and upscale, but ! Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerIn Drive Me Crazy, Kate, Sierra, and Alexis kick off the summer with an unforgettable road trip. But when Adam, Alexis’s cousin, happens to tag along, it could mean jeopardy for the all-girls trip. Adam turns out okay, and Kate even takes a liking to him. So what does this mean for Lucas! , the boy Kate was driving out to see? In Love Off-Limits, Natalie has the perfect boyfriend, or so everyone thinks. But Natalie knows she wants more. When she discovers that more equals Matt, her boyfriend’s best friend, Natalie finds herself in quite the dilemma.

The Chumscrubber Poster Movie 27x40

  • Approx. Size: 27 x 40 Inches - 69cm x 102cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • The Chumscrubber Style A 27 x 40 Inches Poster
  • Packaged with care and shipped in sturdy reinforced packing material
The Chumscrubber is a darkly satiric story about life crumbling in the midst of a seemingly idyllic suburbia.Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The Chumscrubber is a 2005 dark comedy film directed by Arie Posin and written by Posin and Zac Stanford, starring an ensemble cast. The film focuses on the lack of communication between teenagers and their parents, and the prevalence of prescription drugs in American society. The title of the film refers to a character ! that helps his friends to survive in a superficial world by keeping things authentic and is portrayed in form of a video game omnipresent in the teenagers' lives, in which a post-apocalyptic hero carries his severed head in his hand as he fights the forces of evil. One day in the fictional town Hillside in Southern California, the supplier of prescription medication to the students at the local high school, Troy Johnson (Josh Janowicz), commits suicide. Troy's friend Dean Stifle (Jamie Bell), who found the body, is prescribed further antidepressants by his father Bill (William Fichtner), a psychiatrist. A guy holding his own head, a look from The Chumscrubber. Funny Tee, TShirt, Shirt. About our Dark T-Shirt: Look cool without breaking the bank. Our durable, high-quality, pre-shrunk 100% cotton t-shirt is what to wear when you want to go comfortably casual. Preshrunk, durable and guaranteed.5.6 oz. 100% cotton. Standard fit..The Chumscrubber reproduction poster print
Pop Culture Graphics, Inc is Amazon's largest source for ! movie an d TV show memorabilia, poster and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfaction is always guaranteed when you buy from Pop Culture Graphics,Inc

Twitter Delicious Facebook Digg Stumbleupon Favorites More

 

web log free