Wednesday, November 23, 2011

The Boondock Saints II: All Saints Day Movie (Holding Guns) Poster Print - 24x36 Movie Poster Print, 24x36

  • Poster Title: The Boondock Saints II: All Saints Day Movie (Holding Guns) Poster Print - 24x36
  • Size: 24 x 36 inches
From Troy Duffy, writer and director of The Boondock Saints, comes the much anticipated sequel to the tough, stylized cutting edge saga of the MacManus brothers (Norman Reedus, Sean Patrick Flanery). The two have been in deep hiding with their father, Il Duce (Billy Connolly), in the quiet valleys of Ireland, far removed from their former vigilante lives. When word comes that a beloved priest has been killed by sinister forces from deep within the mob, the brothers return to Boston to mount a violent and bloody crusade to bring justice to those responsible. With a new partner in crime (Clifton Collins Jr., Star Trek) and a sexy FBI operative (Julie Benz, TV's Dexter) hot on their trail…the Saints are back!A cult phenomenon returns with The Boondock Sai! nts II: All Saints Day. The vigilante MacManus brothers (Sean Patrick Flanery and Norman Reedus, reprising their roles from the first movie) have retired to Ireland, but a copycat killing of a Boston priest brings them back to dish out their unique brand of quasi-spiritual justice. The story line doesn't differ much from the first movie; the brothers have a new sidekick (Clifton Collins Jr., Capote) and a new pursuer, FBI agent Eunice Bloom (Julie Benz of Dexter, striving to take the place of Willem Dafoe from the original), but it's basically a series of shootouts in which the brothers pop up "unexpectedly" and blast a bunch of cartoonish criminals to pieces. The Boondock Saints was not a good movie, but it had a weird, unique energy--you couldn't tell if the movie took itself so seriously that it was ludicrous or if it was mocking itself while reveling in its absurd extravagances. All Saints Day has the same ridiculous swagger and baroque m! acho dialogue, but this time the spark is missing (with the ex! ception of Collins, who brings all his dependable live-wire energy). Some cult fans will be disappointed, but others will still find things to enjoy. Also featuring Scottish comedian Billy Connolly (reprising his role as the elder MacManus), Judd Nelson (The Breakfast Club), and Peter Fonda (Easy Rider). --Bret Fetzer


Stills from Boondock Saints II: All Saints Day (Click for larger image)








From Troy Duffy, writer and director of The Boondock Saints, comes the much anticipated sequel to the tough, stylized cutting edge saga of the MacManus brothers (Norman Reedus, Sean Patrick Flanery). The two have been in deep hiding with their father, Il Duce (Billy Connolly), in the quiet valleys of Ireland, far removed from their former vigilante lives. When word comes that a beloved priest has been killed by sinister forces from deep within the mob, the br! others return to Boston to mount a violent and bloody crusade ! to bring justice to those responsible. With a new partner in crime (Clifton Collins Jr., Star Trek) and a sexy FBI operative (Julie Benz, TV's Dexter) hot on their trail…the Saints are back!A cult phenomenon returns with The Boondock Saints II: All Saints Day. The vigilante MacManus brothers (Sean Patrick Flanery and Norman Reedus, reprising their roles from the first movie) have retired to Ireland, but a copycat killing of a Boston priest brings them back to dish out their unique brand of quasi-spiritual justice. The story line doesn't differ much from the first movie; the brothers have a new sidekick (Clifton Collins Jr., Capote) and a new pursuer, FBI agent Eunice Bloom (Julie Benz of Dexter, striving to take the place of Willem Dafoe from the original), but it's basically a series of shootouts in which the brothers pop up "unexpectedly" and blast a bunch of cartoonish criminals to pieces. The Boondock Saints was not a good movie, but i! t had a weird, unique energy--you couldn't tell if the movie took itself so seriously that it was ludicrous or if it was mocking itself while reveling in its absurd extravagances. All Saints Day has the same ridiculous swagger and baroque macho dialogue, but this time the spark is missing (with the exception of Collins, who brings all his dependable live-wire energy). Some cult fans will be disappointed, but others will still find things to enjoy. Also featuring Scottish comedian Billy Connolly (reprising his role as the elder MacManus), Judd Nelson (The Breakfast Club), and Peter Fonda (Easy Rider). --Bret Fetzer


Stills from Boondock Saints II: All Saints Day (Click for larger image)








Decorate your home or office with high quality posters. The Boondock Saints II: All Saints Day Movie (Holding Guns) Poster Print - 24x36 is that perfect piece that matches your style, interests, and budget.

Creation [Blu-Ray]

  • UK Import
  • Region-Free
  • Blu-ray
From director Jon Amiel ("The Singing Detective," ENTRAPMENT) and writer John Collee (MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD) comes CREATION. A psychological, heart-wrenching love story starring Paul Bettany (A BEAUTIFUL MIND, MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD) as Charles Darwin, the film is based on “Annie’s Box,” a biography penned by Darwin’s great-great-grandson Randal Keynes using personal letters and diaries of the Darwin family. We take a unique and inside look at Darwin, his family and his love for his deeply religious wife, played by Jennifer Connelly (A BEAUTIFUL MIND, REQUIEM FOR A DREAM), as, torn between faith and science, Darwin struggles to finish his legendary book “On the Origin of Species,” which goes on to become the foundation for evolutionary biology. The film co-stars Toby Jones (FROST/NIX! ON, INFAMOUS) and Jeremy Northam (GOSFORD PARK, AMISTAD), and was produced by Jeremy Thomas (THE LAST EMPEROR, SEXY BEAST) at Recorded Picture Company with BBC Films and Ocean Pictures.More than 150 years after its publication, Charles Darwin's On the Origin of Species and its theory of natural selection remain the subject of much debate; the divide between those who accept Darwin's ideas as incontrovertible science and those who consider them blasphemous may be wider now than ever. Released in 2009, director Jon Amiel's Creation goes right to the heart of the matter--indeed, right to the heart of Darwin himself. As portrayed by Paul Bettany, the Darwin who has returned to England following his voyage aboard HMS Beagle is a man for whom "deeply conflicted" is a barely adequate description. Well aware his theory is "perhaps the most powerful idea ever to occur to a human mind," he is caught between the scientists who insist that he has "killed God" and t! he religious conservatives, including his wife Emma (Jennifer ! Connelly ), who counter that his very soul will be in peril if he finishes and publishes his book. What's more, he is haunted, sometimes literally, by the death of his favorite child, Annie (seen in frequent flashbacks), and its effect on his marriage--in fact, it is this personal angle that dominates the film. But while the toll his work has taken on his health, his faith, his family, and his very sanity is obvious, he also knows that it is far too important to ignore. Creation is not a documentary; liberties have been taken, and there are multiple sequences, including Darwin's nightmarish fever dreams, that are clearly the invention of the filmmakers. But Bettany and Connelly, who are a real-life couple, are both superb; the cinematography is gorgeous; and various scenes illustrating the notion of "survival of the fittest" in nature are riveting (there won't be a dry eye in the house when Darwin tells his dying daughter about the fate of an orangutan captured in Borneo). And! while the tone of the film would seem to favor science over religion, the DVD includes numerous bonus features in which both sides have their say. This one is not to be missed. --Sam Graham

Stills from Creation (Click for larger image)



A sweeping novel of politics, war, philosophy, and adventureâ€"in a restored edition, featuring never-before-published material from Gore Vidal’s original manuscriptâ€"Creation offers a captivating grand tour of the ancient world.
Cyrus Spitama, grandson of the prophet Zoroaster and lifelong friend of Xerxes, spent most of his life as Persian ambassador for the great king Darius. He traveled to India, where he discussed nirvana with Buddha, and to the warring states of Cathay, where he learned of Tao from Master Li and fished on the riverbank with Confucius. Now blind and aged in Athensâ€"the Athens of Pericles, Sophocles, Thucydides, Herodotus, and Socratesâ€"Cyrus recounts his days as he strives to resolve the fundamental questions that have guided his life’s journeys: how the universe was created, and why evil was created with good. In revisiting the fifth century b! .c.â€"one of the most spectacular periods in historyâ€"Gore Vidal illuminates the ideas that have shaped civilizations for millennia.
In 445 B.C., Cyrus Spitama, the grandson of the prophet Zoroaster, is the Persian ambassador to the city of Athens. He has a rather caustic appreciation of his situation: "I am blind. But I am not deaf. Because of the incompleteness of my misfortune, I was obliged yesterday to listen for nearly six hours to a self-styled historian whose account of what the Athenians like to call 'the Persian Wars' was nonsense of a sort that were I less old and more privileged, I would have risen to my seat at the Odeon and scandalized all Athens by answering him." Having thus dismissed Herodotus, Cyrus then dictates his life story to his nephew, Democritus, with similar disdain for the Greeks--whom we in the modern world have come to view as the progenitors of civilization, but whom Cyrus considers to be bad-smelling rabble.

Of co! urse, Cyrus Spitama speaks with a very modern, ironic voice s! upplied to him by Gore Vidal--and the political intrigues in which Cyrus finds himself immersed are likewise familiar territory for fans of Vidal's historical fiction. But the narrator's delightfully wicked observations are the icing on a narrative of truly epic scope--out of his desire to understand the origins of the world, Cyrus undertakes journeys to India, where he encounters disciples of the Buddha, and China, where he engages Confucius in philosophical conversation while the great sage fishes by the riverside. Creation offers insights into classical history laced with scintillating wit and narrative brio. Real-life couple Paul Bettany and Jennifer Connelly star as Charles Darwin and his wife in this biographical drama. Set before the publication of "On The Origin Of Species", 'Creation' finds Darwin grieving over the death of his daughter and feeling far away from his wife.More than 150 years after its publication, Charles Darwin's On the Origin of Species! and its theory of natural selection remain the subject of much debate; the divide between those who accept Darwin's ideas as incontrovertible science and those who consider them blasphemous may be wider now than ever. Released in 2009, director Jon Amiel's Creation goes right to the heart of the matter--indeed, right to the heart of Darwin himself. As portrayed by Paul Bettany, the Darwin who has returned to England following his voyage aboard HMS Beagle is a man for whom "deeply conflicted" is a barely adequate description. Well aware his theory is "perhaps the most powerful idea ever to occur to a human mind," he is caught between the scientists who insist that he has "killed God" and the religious conservatives, including his wife Emma (Jennifer Connelly), who counter that his very soul will be in peril if he finishes and publishes his book. What's more, he is haunted, sometimes literally, by the death of his favorite child, Annie (seen in frequent fla! shbacks), and its effect on his marriage--in fact, it is this ! personal angle that dominates the film. But while the toll his work has taken on his health, his faith, his family, and his very sanity is obvious, he also knows that it is far too important to ignore. Creation is not a documentary; liberties have been taken, and there are multiple sequences, including Darwin's nightmarish fever dreams, that are clearly the invention of the filmmakers. But Bettany and Connelly, who are a real-life couple, are both superb; the cinematography is gorgeous; and various scenes illustrating the notion of "survival of the fittest" in nature are riveting (there won't be a dry eye in the house when Darwin tells his dying daughter about the fate of an orangutan captured in Borneo). And while the tone of the film would seem to favor science over religion, the DVD includes numerous bonus features in which both sides have their say. This one is not to be missed. --Sam Graham

Stills from Creation (Click f! or larger image)





Hostel (Unrated Widescreen Edition)

  • 4 commentary tracks, including Director Eli Roth, Quentin Tarantino, and Harry Knowles from Aint It Cool News
  • "Hostel Dissected" - Behind the scenes featurette
  • "Kill the Car!" Multi-angle interactive feature
Well-made for the genre--the excessive-skin-displayed-before-gruesome-bloody-torture-begins genre--Hostel follows two randy Americans (Jay Hernandez, Friday Night Lights, and Derek Richardson, Dumb and Dumberer: When Harry Met Lloyd) and an even randier Icelander (Eythor Gudjonsson) as they trek to Slovakia, where they're told beautiful girls will have sex with anyone with an American accent. Unfortunately, the girls will also sell young Americans to a company that offers victims to anyone who will pay to torture and murder. To his credit, writer/director Eli Roth (Cabin Fever) takes his time setting things up, laying a realistic foundation that! makes the inevitable spilling of much blood all the more gruesome. The sardonic joke, of course, is that Americans are worth the most in this brothel of blood because everyone else in the world wants to take revenge upon them. This dark humor and political subtext help set Hostel above its more brainless sadistic compatriots, like House of Wax or The Devil's Rejects. In general, though, there's something lacking; horror used to suggest some threat to the spirit--today's horror can conceive of nothing more troubling than torturing the flesh. For aficionados, Hostel features a nice cameo by Takashi Miike, director of bloody Japanese flicks like Audition and Ichi the Killer. --Bret Fetzer

Finding Amanda

  • From director Peter Tolan, creator of the hit television series Rescue Me, comes Finding Amanda, a hilarious and heartbreaking autobiographical comedy about the compulsions we can t shake, and the unlikely lengths we ll go to while trying.Taylor Mendon (Matthew Broderick) is a television writer and producer working on a low-rated, little-respected half-hour sitcom. Once destined for bigger and bet
Nine years ago, Molly Tanner witnessed a young girl's abduction in the busy city of Philadelphia, shifting her occasional clairvoyance into overdrive. Two days later, the girl's body was found, and Molly's life fell apart. Consumed by guilt for not acting upon her visions, and on the brink of losing her family, Molly escaped the torturous reminders in the city, fleeing to the safety of the close-knit rural community of Boyds, Maryland. 

Molly's life is back on track, her son has begun! college, and she and her husband have finally rekindled their relationship. Their fresh start is shattered when a seven-year-old girl disappears from a local park near Molly's home. Unable to turn her back on another child and troubled by memories of the past, Molly sets out to find her, jeopardizing the marriage she'd fought so hard to hold together. While unearthing clues and struggling to decipher her visions, Molly discovers another side of Boyds, where the residents--and the land itself--hold potentially lethal secrets, and exposes another side of her husband, one that threatens to tear them apart.
Nine years ago, Molly Tanner witnessed a young girl's abduction in the busy city of Philadelphia, shifting her occasional clairvoyance into overdrive. Two days later, the girl's body was found, and Molly's life fell apart. Consumed by guilt for not acting upon her visions, and on the brink of losing her family, Molly escaped the torturous reminders in ! the city, fleeing to the safety of the close-knit rural commun! ity of B oyds, Maryland. 

Molly's life is back on track, her son has begun college, and she and her husband have finally rekindled their relationship. Their fresh start is shattered when a seven-year-old girl disappears from a local park near Molly's home. Unable to turn her back on another child and troubled by memories of the past, Molly sets out to find her, jeopardizing the marriage she'd fought so hard to hold together. While unearthing clues and struggling to decipher her visions, Molly discovers another side of Boyds, where the residents--and the land itself--hold potentially lethal secrets, and exposes another side of her husband, one that threatens to tear them apart.

Nine years ago, Molly Tanner witnessed a young girl's abduction in the busy city of Philadelphia, shifting her occasional clairvoyance into overdrive. Two days later, the girl's body was found, and Molly's life fell apart. Consumed by gui! lt for not acting upon her visions, and on the brink of losing her family, Molly escaped the torturous reminders in the city, fleeing to the safety of the close-knit rural community of Boyds, Maryland. 

Molly's life is back on track, her son has begun college, and she and her husband have finally rekindled their relationship. Their fresh start is shattered when a seven-year-old girl disappears from a local park near Molly's home. Unable to turn her back on another child and troubled by memories of the past, Molly sets out to find her, jeopardizing the marriage she'd fought so hard to hold together. While unearthing clues and struggling to decipher her visions, Molly discovers another side of Boyds, where the residents--and the land itself--hold potentially lethal secrets, and exposes another side of her husband, one that threatens to tear them apart.

Taylor Peters (Matthew Broderick) is a television writer and p! roducer whose compulsive gambling, recreational drug use and d! rinking problem are jeopardizing his career and marriage. In a desperate attempt to save his marriage to Lorraine (Maura Tierney), he sets off to redeem himself by bringing home his 20 year old niece (Brittany Snow) who is living in Vegas and working as a prostitute. While there, he vows not to gamble a cent or drink a drop of alcohol. Alas, the best laid plans

Boiler Room

  • TESTED
Six students lie dead at the hands of a fellow classmate. In the aftermath an unlikely bond is about to form. Alicia (Busy Philipps "Dawson's Creek") is a Goth misfit who hates the world and everyone in it and may know more about the shooting than she's telling. Deanna (Erika Christensen Swimfan) one of the injured is a classic overachiever confined to a hospital bed. Brought together by fate united by secrets they couldn't be less alike or need each other more.System Requirements:Running Time: 132 Min.Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 043396018952 Manufacturer No: 01895DVD'SThe intense soundtrack of Boiler Room is a fitting underscore for this movie, which pulses with the vigor of young, rich, amoral men wreaking havoc. This is not the antisocietal havoc of Fight Club, but the more deliberate mayhem that comes from greed run amok. The testosterone-junkie! brokers of J.T. Marlin (the only female in the office is Abby, the receptionist and love interest, played by Nia Long) are out to make the sale, and whether that sale is legal or ethical doesn't matter.

Seth Davis (Giovanni Ribisi) is a 19-year-old college dropout who strives for approval from his father (Ron Rifkin), a judge who is horrified that his son operates a 24-hour illicit casino. When an old friend visits the casino with a fellow broker, Davis is impressed by their wads of money and yellow Ferrari, and decides to join the firm. In no time he's making sales and settling into the groove of the office and all the after-hours perks, but the dream fades when Davis discovers the scam that is making all of the brokers wealthy beyond their dreams.

Borrowing heavily from Wall Street and Glengarry Glen Ross, Boiler Room is at its best when dealing with matters of money, and powerful scenes of Davis learning to be a "closer" showcase the signifi! cant talent of Ribisi, Nicky Katt, and Vin Diesel. The movie f! lounders when developing the relationship between Davis and his father, becoming sentimental and trite. However, as a fable of modern society and a nostalgic vehicle about the days of yuppies past, Boiler Room is right on the money. --Jenny Brown

Medicom Ultra Detail Figure: Hostel Action Figure

  • Based off of Eli Roth's sensational film, Hostel
  • Imported from Japan
  • Measures nearly 7" tall
  • Includes variant parts
  • Includes detailed helmet and apron
No Description Available.
Genre: Horror
Rating: UN
Release Date: 23-OCT-2007
Media Type: DVDWith repulsion levels at least comparable to Cannibal Holocaust, Herschell Gordon Lewis' Blood Feast, and other gory slasher landmarks, Eli Roth's Hostel 2 reconfigures ideas of violence to test how down and dirty a horror film can get. The film raises the stakes, leaving those who wish to make a sicker film out in the lurch for the time being. This sequel, like the first Hostel, is set in and around a Slovakian factory where European students are kidnapped, tortured, and killed by rich businessmen who pay enormous sums to experience death firsthand. An in! ternational elite, all tattooed with a bulldog insignia, bid on young people to slaughter in a mob-organized, high-end, sex-slave trade catering to those with a death fetish. In Hostel 2, three girls from Rome, Beth (Laura German), Whitney (Bijou Phillips), and Lorna (Heather Matarazzo), are lured to Slovakia by a sultry, vampiric hottie (Vera Jordonova) who modeled for them in figure drawing class. Sidetracked and disoriented by some Pagan Slovakian festivals and luxurious hot springs, the girls slip away one by one, until the film moves inside the torture chambers. One client sits in a bathtub beneath her victim, who she slices with a scythe to bathe in blood, Elizabeth Bathory-style. Body parts fly as clients entering the facilities select their weapons of choice in a room full of knives, power tools, and rubber clothing. As ridiculous as it sounds, haunting soundtrack and cinematography set a disturbing mood. Morbid humor, for example when a chainsaw unplugs cent! imeters from a victim's face, pays homage to Hostel 2's! schlock y predecessors. Fortunately, one survivor remains, providing an ounce of vengeful, and sexy, satisfaction. As in the best exploitation films, gratuitous sex and violence are the norm here. What will be a warning to some to avoid this gruesome movie will be to others a cue to head straight to the theater. --Trinie DaltonHephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book contains chapters focused on Films set in Slovakia, and Hostel films.Imported from Japan! From Medicom of Japan comes this latest release in thei! r "Ultra Detail Figure" series, the helmeted torturer from Eli Roth's cult horror sensation, Hostel! Measuring nearly 7" tall, this figure features realistic detailing, including a detailed Helmet and Apron, plus variant parts!

Good Night, and Good Luck (Widescreen Edition)

  • "Good Night, And, Good Luck" takes place during the early days of broadcast journalism in 1950's America. It chronicles the real-life conflict between television newsman Edward R. Murrow and Senator Joseph McCarthy and the House Un-American Activities Committee. With a desire to report the facts and enlighten the public, Murrow, and his dedicated staff - headed by his producer Fred Friendly and Jo
"Good Night, And, Good Luck." takes place during the early days of broadcast journalism in 1950's America. It chronicles the real-life conflict between television newsman Edward R. Murrow and Senator Joseph McCarthy and the House Un-American Activities Committee. With a desire to report the facts and enlighten the public, Murrow, and his dedicated staff - headed by his producer Fred Friendly and Joe Wershba in the CBS newsroom - defy corporate and sponsorship pressures to examine the lies and scar! emongering tactics perpetrated by McCarthy during his communist 'witch-hunts'. A very public feud develops when the Senator responds by accusing the anchor of being a communist. In this climate of fear and reprisal, the CBS crew carries on and their tenacity will prove historic and monumental.

DVD Features:
Audio Commentary:with George Clooney and Grant Heslov
Documentary:Good Night, and Good Luck companion piece
Theatrical Trailer

Without force-feeding its timely message, Good Night, and Good Luck illuminates history to enlighten our present, when the need for a free and independent press is more important than ever. In 90 breathtaking minutes of efficient and intricate storytelling, writer-director George Clooney and cowriter Grant Heslov pay honorable tribute to the journalistic integrity of legendary CBS newscaster Edward R. Murrow,

Director George Clooney
who confronted the virulent and overzealous anti-Communist witch-hunting of Wisconsin Sen. Joseph McCarthy in 1953-54, and emerged as a triumphant truth-seeker against the abuses of corporate and governmental power.

David Strathairn as Edward R. Murrow
As played by David Strathairn, Murrow is a dogged realist, keenly aware of the smear tactics that will be employed against him; Clooney provides crucial backup as Murrow's "See It Now" producer and closest confidante Fred Friendly, forming a fierce but not entirely fearless triumvirate of broadcasting bravery with CBS chief William Paley (Frank Langella), who anxiously champions Murrow's cause under constant threat of rep! risals. While using crisp black-and-white cinematography (by Robert Elswit) to vividly recreate the electrifying atmosphere of the CBS newsroom and the early years of television, Clooney (son of long-time Cincinnati newsman Nick Clooney) proves his directorial skill by juggling big themes and an esteemed ensemble cast, never stooping to simplification of ethically complex material. Good Night, and Good Luck is an instant classic, destined for all the accolades it so richly deserves. --Jeff Shannon

Learn More About Edward R. Murrow and Broadcast Journalism


George Clooney's Recommended Reading

G! eorge Clooney's Recommended Movies

The Edward R. Murrow Collection


Twitter Delicious Facebook Digg Stumbleupon Favorites More

 

web log free